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CRÉATION
To celebrate we’ve created our
10th show, the charming and inventive Story
Hunters, directed by Dario Costa, who has
been with Drama Ties since the very
beginning. The show is on tour now for primary and
6e students, and will be playing in Paris in April.
Dates
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CRÉATION
And we’re not stopping there: after three
years of touring, ShakesPod has been
switched off, and we are replacing it with a new
show for lycéens, called Verdict of Sorcery,
which tells the story of the Salem Witch Trials,
through the eyes of a modern-day teenager. The show
premiers in March at the Vingtième Théâtre, and will
be on tour afterwards.
Dates
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REPRISE
In the meantime, Gulliver’s Travels is
still going strong, and can be booked from January
at the Vingtième Théâtre, and on tour.
Dates |
We’re
also delighted to be continuing our partnerships in
France and across the Channel with well-established
institutions, namely the British Council, the National
Youth Theatre of Great Britain, the Comité
Central d’Action Sociale, the Rectorat de Créteil,
the DAAC de Paris, the Conseil Général du Val
d’Oise…
We continue to work with teacher-training establishments
all over France, to offer theatre techniques in English,
to trainee and qualified teachers. |
DRAMA TIES IS on Facebook
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We value your feedback,
your suggestions, and desires
for new projects.
You can keep informed of
our shows and activities, as well as joining
discussions, and sharing experiences. |
| Here’s
to the next 10 years! |
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And we are also creating
our annual Christmas Show
Hood’s Got Talent
based on a well-known
story that you might recognise!
Dates
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I’m very
lucky to head up a team of actors and
collaborators, committed
to running all the aspects of a Theatre-in-Education
company.
I’d like to thank them all, and last but not least, you,
the teachers
and facilitators, old and new, whom we’ve had the
pleasure to work with and perform for.
I’m
delighted that, within
10 years, we’ve established ourselves as one of the
leading English-speaking theatre groups in France,
allowing young people to experience, both as spectators
and as actors, the creative benefits of drama.
Kester Lovelace
Artistic Director |
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